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The Sincerest Form, by Nicholas Delbanco
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Nicolas Delbanco explores the stories and techniques of twelve stylists, from Ernest Hemingway to Jamaica Kincaid, and encourages students to imitate the craft of these master storytellers as they hone their own fiction writing skills.
- Sales Rank: #647978 in Books
- Published on: 2003-10-06
- Original language: English
- Number of items: 1
- Dimensions: 8.90" h x .67" w x 6.30" l, 1.14 pounds
- Binding: Paperback
- 432 pages
About the Author
Nicholas Delbanco Nick Delbanco is the Robert Frost Distinguished University Professor of English Language and Literature at the University of Michigan, where he formerly directed the prestigious Hopwood Awards Program in creative writing and where the Delbanco Prize was established in his honor for students who need financial assistance to attend the Hopwood Program (only 25 students are admitted each year). He is also a co-founder (together with the late John Gardner) of the Bennington Writing Workshops
As the Delbanco Prize implies, Nick is a beloved teacher and through his teaching has been in the thick of the modern literary scene. His students have praised his enormous frame of literary reference, his eagerness to devour a new work, and his ability to home in on its weaknesses. Richard Tillinghast, a poet and colleague at Michigan, said of Nick, “When you have someone with an eye and ear like Nick's, you can really learn a lot about what talents you have and how to use them.”
Describing Nick’s teaching style, the New York Times said, “Mr. Delbanco delights in horrifying his students by urging them to imitate rather than innovate. He tells them that imitation is the surest route to originality and warns against self-expression, self-discovery.” His students also talk of his sociability (he loves a good story, to tell it and to hear it), his honesty, and his devotion to his students. One student said, “He gave me confidence when I had no confidence. He's also very blunt and honest. He has no problem tossing your manuscript back at you and saying, 'This stinks.' He would dismantle me and then take me into his office and tell me I could be a writer.”
Nick has won several awards, including a Guggenheim Fellowship, and two Writer’s Fellowships from the National Endowment for the Arts. He is the author of twenty-four books of fiction and non-fiction, a frequent contributor to Harper’s, and often seen in the New York Times. Some have called him a “writer’s writer” --to which he replies “it's hard to see it as an insult at all. The worst you could say is that it's a kind way of saying nobody buys your books.” He has written a previous McGraw-Hill text, The Sincerest Form: Writing Fiction through Imitation. His most recent novel is The Count of Concord, a work of historical fiction that tells the tale of Count Rumford: inventor of the coffeepot, philosopher, and spy (among other things). The Chicago Sun says, “Novelist Nicholas Delbanco has done us a great service by rescuing Rumford from obscurity…In ‘The Count of Concord’ we see a veteran novelist working at the height of his powers.”
Most helpful customer reviews
5 of 5 people found the following review helpful.
Among the best of its kind.
By JDEckhart
Delbanco takes us into unpopular waters with "The Sincerest Form," but it is very much worth the voyage. Imitation is one of the most effective ways to learn, and this book can guide you where many, perhaps rightly fearful of [...], would be unlikely to take you. In a progression of exercises of imitation and revision, Delbanco shows how much you can learn from, well, from copying others. Incidentally, this is the only required text from one of my college classes that I have actually found useful. I guess that tells you something.
2 of 2 people found the following review helpful.
About time --
By JackOfMostTrades
It's difficult to believe no one has compiled a text like this for students of writing. It might be because instructors of writing don't know how to teach writing--in particular, prose fiction. Another possibility is that writing teachers don't have much common sense. Perhaps that is why a novelist put together this clever text: samples of major fiction writers with explications on style, vocabulary, voice, tone, structure, character, etc. As for the plethora of rhetorics, guides, handbooks, readers, etc., they are 'not fit for Christian ear to hear" nor the ears of Muslims, Jews, Jains, Buddhists, Hindus, etc. If you are a college student, tell your teacher about this book.
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