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This is bestselling and award-winning author of romantic comedy Geralyn Corcillo's collection of 4 RomCom short stories. Dates, dogs, football, monsters in the attic, misunderstandings, and unexpected discoveries abound in these tales of modern love. The stories are wistful and wacky, sweet and sexy, hilarious and happy endings, one and all.

***All Summer on a Date: The gorgeous Kyle Hunter is taking reformed iconoclast Summer to the party of the year. But when an unexpected dilemma slams into their exquisite evening, will Summer follow her date...or follow her heart?
***Random Acts of Violet: Cautious loner Violet Parker needs a new playbook when her quiet summer on campus collides with an unexpected eight year-old, a monster in the attic, and Noah...
***Miss Understanding in the Ballroom with the Wrench: Jesse and Peter meet at a party, but each is hiding the one thing that they think makes them un-dateable. Will their subterfuge and all the ensuing misunderstandings wreck everything? Just as the spark between them is about to ignite?
***Jane Austen Meets the New York Giants: The NYT Bestselling true story of true love that kicked off Geralyn Corcillo's writing career.

• Sales Rank: #200864 in eBooks
• Published on: 2015-10-26
• Released on: 2015-10-26
• Format: Kindle eBook

Review
From Amazon Reader Reviews of "Random Acts of Violet" when it was published as a stand-alone story:


"A short sweet summer romance that will warm your heart!"


"I love this! Corcillo's storytelling is masterful and swift. Violet and Noah are smart, complex, real and incredibly appealing. I love their depth and warmth!"


"This is a suspense, romance with a streak of humor and a fast fun read."


"A compelling and funny story."




...and "All Summer on a Date":


"A short, fun read with plenty of humor, not only from the lead character Summer Hodiak (who is plenty amusing by herself), but from the situation she finds herself in. There's even a lesson here..." --Big Al
**Originally written for "Books and Pals" blog. May have received a free review copy.


"All Summer on a Date is a cute story about people turning out to be different than you first expected. 5 stars for this adorable read!" --Living Life With Joy


"Fun easy read, love Corcillo's style of writing, it flows so well!"


"With her visual descriptions, light-hearted banter, and endearing characters, Corcillo quickly captures our hearts!"


"Wonderful story!"

"A great storyline and a couple of neat characters ......and they love animals which is probably why it got five stars..."


"I love Corcillo's stories and cant get enough!"


"Highly recommended!"


"Brimming with all the right ingredients for a "feel good" read."


"Keeps you reading, wanting to know what happens next."


"This short story is perfect for a half-hour escape. Adorable characters who find themselves in quirky scenarios. Love this."

Most helpful customer reviews

1 of 1 people found the following review helpful.
A sparkling collection of bright, funny, chick lit stories
By B.R. Maycock
I have to admit I had a couple of things making me wary of this collection, I know Geralyn through social media and find her to be so bright, friendly and helpful since I’ve started writing. Obviously it was only a matter of time until I went looking for her work and I was afraid it wouldn’t live up to expectations and then what do you do? It didn’t matter, I was glad I did! This leads me into my other worry, that Geralyn is from the US and so I was afraid that there would be a disconnect in terms of language and content but you know what they say, that good writing transcends boundaries (Disclaimer: I may or may not have made that up myself!). It first came to my attention with talk of the NFL, which obviously we don’t have over here, then again with the description of the temperature, but to be honest, in general, I didn’t notice much of a difference.

Each of the stories were unique, and when I say unique I mean stand alone individuals as you’ll see from the descriptions above. They each had their own little bite to them that made them stand out and me sit up. The misunderstandings were textbook and yet not clichéd, I could see some coming and missed others, getting a nice surprise when I realized what was going on. The dialogue was very clever, and the romance was perfect, that brilliant kind of sparkling sweetness that some would ‘swoon’ for! I loved how each of the lead characters were so strong and independent, and at one stage I had the vision of a female Bruce Willis (he wears a vest all the time in Die Hard, the lead here was just in a vest and boxer shorts in her attic, so you have to kind of see where I’m going here? No, oh, okay, sorry then!)

Then to finish, the final story speaks of Jane Austen and then brings a modern day story about what happens when all that’s left in a relationship is the modern day humdrum all back around, so the modern day story is mirrored in the narrator’s thoughts on Jane Austen. It was so lovely! All in all a very satisfying read, plus the dip in dip out aspect that’s perfect as a weekend read! Very much recommended. Go get!

Rating 4.5/5

2 of 2 people found the following review helpful.
Fun, entertaining reading!!
By Susan B.
Loved the stories...I was reading them in the dentist's waiting room & was actually disappointed that they called me in so fast...couldn't wait to get home & finish them!!! The stories are fun, unpredictable, and full of quirky, lovable characters!!

1 of 1 people found the following review helpful.
Masterful, funny, sweet, sexy and deep. Corcillo makes falling in love an adventure.
By Avid Reader
Corcillo's quartet of rom com shorts is masterful, funny, sweet, sexy and deep. She honors the genre but keeps it fresh, hip, and suprising. Her smart, vulnerable female characters are so real that the reader aches with them, laughs with them, and cheers them on as they find, lose, and discover love. But Corcillo's male characters are worth noting for their individuality, their goodness, their depth of feeling--their humanity, too. No cliches here. These romantic leads are jocks who seek dating advice from their sisters. Who care about kids. Who care about animals. Who suffer. That's why 4 in the Afternoon restores my faith in love, but more than that, restores my faith in people to do to--no matter how much they blow it--to feel the right thing and then to act on it. Corcillo makes falling in love an adventure. Sees it as the most efficient measure of who we are. The delicious reveals, the satisfying twists, and the happy endings demonstrate the transformational power of love to make us better. And Corcillo is a fine, brilliant and very sharp writer. Brava!

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[S562.Ebook] Fee Download Getting Married in Korea: Of Gender, Morality, and Modernity, by Laurel Kendall

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This work explores what it means to be modern and what it means to be Korean in a culture where courtship and marriage are often the crucible in which notions of gender and class are cast and recast. Touching on a number of important issues—identity, romantic love, women’s work, marriage negotiations, and wedding ceremonies—Laurel Kendall gives us a new appreciation for how Koreans have adapted this pivotal social practice to the astounding changes of the past century.

Kendall attended her first Korean wedding in 1970, soon after she arrived in the country with the Peace Corps. Years later, as a seasoned anthropologist, she began interviewing both working-class and middle-class couples, matchmakers, purveyors of dowry goods, and proprietors of wedding halls. She consulted etiquette handbooks and women’s magazines and analyzed cartoons, photographs, and weddings themselves. The result is an engaging account of how marriage matches are made, how families proceed through the rites, how they finance ceremonies and elaborate exchanges of ritual goods, and how these practices are integral to the construction of adult identities and notions of ideal women and men. The book is also a reflection on what it means to write “Korea” in a complex and ever changing social milieu.

• Sales Rank: #1079925 in Books
• Published on: 1996-05-31
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x .80" w x 6.00" l, .92 pounds
• Binding: Paperback
• 269 pages

From the Back Cover
This book is and is not about Korean weddings. It explores the meaning and importance of getting married in late-twentieth-century Korea, but it is also concerned with weddings as flash points of argument about the past and the present, about the desirability of women and men, and about what it means to be Korean in a shifting and intensely commodified milieu.

About the Author
Laurel Kendall is Curator of Asian Ethnographic Collections at the American Museum of Natural History. Her previous books include Shamans, Housewives, and Other Restless Spirits: Women in Korean Ritual Life (1985) and The Life and Hard Times of a Korean Shaman: Of Tales and the Telling of Tales (1988).

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0 of 0 people found the following review helpful.
Discovering Korea Through Its Weddings
By Etienne RP
Laurel Kendall first came to Korea in the early 1970s as a Peace Corps volunteer. She returned in 1976 as a graduate student observing ancestor rituals (yotamkut) in rural households and healing ceremonies (kut) by female mediums (mansin, mudang, posal). In 1983, she began a project on weddings by attending marriage ceremonies in the wedding halls of a small town located near the village where she conducted her first fieldwork. Between 1983 and 1985, during several trips to Korea, she interviewed a sample of about thirty couples as well as members of their families in long, semi-structured interviews. She asked newly-wed couples how they met with each other, how they dealt with their future parents-in-law, how they financed ceremonies and what kind of gifts they exchanged. In subsequent years, she continued to accumulate data by monitoring how marriage was discussed in the popular media and in everyday conversations. She also visited regularly her first host family and witnessed how her Omoni’s three daughters got married. She also researched in history books and ethnographic archives how marriage had evolved since the Joseon period and through the tumultuous twentieth century. Getting Married in Korea, published in 1996, is the result of this accumulated experience and observations.

Studying weddings is a classic in cultural anthropology. Weddings are rites of passage or ceremonies of initiation by which the groom and the bride change social status and enter full membership in society. They reflect alliance strategies between two families or lineages who contract relations of mutual support and reciprocity. Some anthropologists see marriages as part of a general theory of exchange in which women are treated as property, being given to other men to cement group relations and foster structures of social networks. When groups exchange women on a regular basis, they create a debtor/creditor relationship which must be balanced through the “repayment” of wives, either directly or in the next generation. Other feminist scholars argue that unions and wedding ceremonies perpetuate the subordination of women and are replete with sexist imagery. Wedding tradition are rooted in patriarchy, as when the father of the bride walks her down the aisle and gives her away to the groom. Folklorists see in weddings a rich repository of social customs and traditions that give privileged access to a culture. For anthropologists, observing weddings and asking questions about marriage is an easy way to do fieldwork.

Laurel Kendall covers all these aspects in her study of how people get married in Korea. The book combines aspects of a classic ethnography, with descriptions of rites and practices that stand in sharp contrast with nuptial practices in Western societies, and elements of a postmodern inclination that characterized the discipline of anthropology during the 1970s and 1980s. She is careful to point out that she does not describe Korean weddings per se, but specific ceremonies situated in time and place and involving people belonging to a certain milieu. Wedding practices are always diverse and contested by people who have different views on what a proper marriage should be like. But there are also homogenizing factors that impose order and bring uniformity to the diversity of practices. One such factor is the wedding industry evolving around banquet halls, professional services and specialized magazines that propose a limited set of options among which the couple will choose its own formula. Another factor is the expectation of families and entourage of the couple, who may refer to their own experience or to local traditions, invented or not. Yet another factor is the role of the state, which in the authoritarian context of the 1980s took the form of official guidelines and etiquette codes that aimed at limiting excessive expenses and prohibiting practices seen as wasteful. Indeed, the interest of the anthropologist in her topic was itself framed by such state concerns, and her initial study was to measure the various costs and economic transactions associated with marriage rituals.

As Kendall confesses it, attending her first wedding in Korea was a depressing experience. On the surface, there was nothing specifically Korean in the ceremony. It took place in a wedding hall where the soon-to-be-wed couple and their party of family and colleagues were bumping against the guests of other parties. The whole scene reminded her of an intercity bus terminal. The groom and the bride wore Western attire, and the whole ceremony mimicked a traditional church wedding while erasing the religious element. The anthropologist wished she could attend a “real” Korean wedding which, according to her Korean informers, was still performed “in the countryside.” Weddings as celebrated in wedding halls were a wholly commodified enterprise. The organizers offered a package deal that included the use of the ceremonial hall, pianist, photographer, a rented dress and veil, gloves and flowers for the bridal party, and a beauty parlor session for the bride.

On closer inspection, however, the anthropologist observed some peculiarities. As elsewhere in Asia, guests presented cash envelopes to a clerk at the entrance desk who registered the amount of their monetary donations. It was said that cash gifts were also collected at the workplace and handed out directly to the groom, for fear the parents kept the money for themselves. A list of the government’s “prohibition against empty ceremonies and vulgar ostentation” hung in the front office next to a display of wedding portraits. A young man served as an announcer (sahoe) and guided the attendees to a sequence of procedures set in the Family Ritual Code published by the government and detailed in etiquette books. The author notes that the adherence to a preordained script echoed the Confucian insistence on proper ritual or ye (Chinese li), while the intervention of an authoritarian state reminded her that Confucian traditions were reinvented and mobilized by the state to serve a national project of developmentalism. Another culturally marked agent was the churye or master of ceremony, a dignified figure who delivered a long speech to the couple as they were about to enter a life-long commitment. The churye also performed the role of clergy and declared the couple united by the bond of marriage.

Patriarchy makes itself felt in Korean weddings, even more so than in their Western model. Korean patrilocal traditions enhance the pathos of “raising a daughter and giving her away.” When they bend forward to greet each other, the bride is (or was) instructed to bow just a bit more deeply than the husband. Up until the 1970s, brides were enjoined not to smile on their wedding day lest their first child be a girl. The churye speech as analyzed by Kendall is full of references to a Confucian ideology reconfigured to suit a conservative social philosophy. For the groom, marriage is the day he “puts up his hair and becomes an adult.” An unmarried man, even though he is not a boy, is socially not a man and remains treated like a boy. For the bride, marriage marks her entrance into her husband’s kin group and the severing of the links with her own family. This is symbolized by the pyebaek ceremony immediately following the Western-style wedding, in which the bride changes her clothes for a neo-traditional hanbok costume and, accompanied by the groom also clad as a yangban from dynastic times, bows with a full kow-tow to her parents-in-law to get acceptance into her new family. The author is careful to note that each genuflection is rewarded by a cash envelope or cholgap. The pyebaek ceremony also involves offerings of cups of wine, and a fertility rite by which the stepmother casts handfuls of dates and chestnuts on the bride’s long sleeves while wishing for many grandchildren.

In fact, pyebaek ceremonies are a fairly recent phenomenon. Wedding halls began to offer special rooms for the pyebaek only in the 1970s. Before that, the formal greeting to the parents-in-law took place at home and did not involve elaborate costuming. There are many traditional customs that are resurfacing in modern wedding rituals. The Confucian wedding rite was a yangban custom and was heavily formalized. The procedures were declaimed in arcane Sino-Korean. During the reforms of the fourteenth and fifteenth century now identified as the introduction of “Neo-Confucianism,” scholars versed in the Chinese tradition sought to restore the moral order of a lost golden age. The adopted Chu Hsi’s Family Rituals as a manual of ritual practice that would be accessible to all, reach and poor alike. The notion that good rituals make better people stems from Korea’s Neo-Confucian heritage. The correct performance of critical passage rites was thought to foster a well-run social order. The Christian missionaries who introduced new style wedding or sinsik fought against this Confucian tradition; but like the Chinese scholars from the fourteenth century, they saw Christian marriage as an instrument of family reform. Likewise, young intellectuals from the end of the nineteenth century began to advocate marriage on the basis of personal choice and mutual understanding as opposed to the blind marriages negotiated by families, when the groom first had a peek of his bride during the wedding ceremony. These young patriots also advocated education for women, and soon put forward the model of “wise mothers, good wives” (hyonmo yangcho) who were supposed to serve the nation in times of Japanese imperialism.

We now see a return of traditional weddings in places like the Korea House or other touristic sites, where onlookers can glimpse the groom and the bride in traditional attire. Souvenir shops sell wooden wedding ducks that are offered by the groom as a sign of fidelity. More guests wear the national dress of hanbok. This embrace of a more “Korean” style of wedding coincided with a swelling of national pride starting in the 1980s. It was accompanied by the repelling of the Family Ritual Code and its “prohibitions on empty formalities and vulgar ostentation.” The average cost of wedding skyrocketed: it went from 8 to 18 million won between 1985 and 1990 (it surpassed 50 million in 2013). Another ritual that underwent a revival is the bride’s family sending “ritual silk” (yedan, yemul) in the form of clothing for the groom and his immediate family, originally to test the bride’s skills at stitching and embroidering. The groom’s side would respond with comparable gift to the bride when they send the gift box, on or near the eve of the wedding. When the groom’s friends bring the gift box (ham) containing the marriage contract and betrothal gifts, they bargain and banter with the bride’s family in the hope of extorting from them a large “delivery fee” (hamgap) that will be spent on the evening’s celebration. In turn, the friends of the bride would sometimes “sell” her bouquet on the wedding day to the gift box bearers for a “flower fee” (kkotkap). Some scholars argue these rituals are new customs, or invented traditions; others describe the gift box delivery as carnival inversion of the social order by which subordinates and kinsmen would claim a share of the wedding’s spoils.

Some critics describe Korea’s modern history as a long march towards gender equality and women’s “liberation.” The opposition between an enlightened “now” versus a repressive “then” is often illustrated by the passage from “arranged” marriage (chungmae kyorhon) to “love” marriage (yonae kyorhon). For Laurel Kendall, the reality is more complex. First, matchmaking has not disappeared from the scene. Far from it: it has even spread to new sectors of society and taken new forms, such as computer matching services or marriage bureaus. The wicked matchmaker or “Madam Ttu” (named after a character in a novel by Park Wan-seo) is a figure of popular folklore. Many marriages fit into an intermediate category, half “love” and half “matchmade”. The very fact that a friend or relative often “introduces” the couple blurs the boundaries and rigid categorizations. Second, for “love” marriage as for “matchmade”, young women stand at a particular disadvantage. Marriage in Korea is a buyer’s market: men of “good groom material” (chohun sillanggam) are hard to find, and “good men” are in a position to set exacting terms in matchmaking. At the arranged meeting, as in a job interview, a woman is under tremendous pressure to convey a positive impression of her looks and personality in a brief period of time and under awkward circumstances. In love and romance, the situation is more balanced, but young women still stand at a disadvantage when it comes to asserting their freedom and independence.

As mentioned, this book was published in 1996, based on research that took place in the early eighties. The modern reader cannot fail to contrast the “then” and the “now”. Korea has changed a lot during the past four decades, and so have marriage, courtship, and matrimony. Korea was then a marriage country: as Kendall wrote, “marriage under the old Korean system was almost as certain as death,” and women who were still single in their late twenties were under considerable pressure to marry. Now four in ten South Korean adults are unmarried, the highest share among the 34 OECD countries. The mean age at which women marry has risen from 25 in 1995 to 30 today. In Seoul, over a third of women with degrees are single. Doing fieldwork in a working-class neighborhood, Kendall met couples who registered their marriage long before they could afford a proper wedding ceremony, which was thus delayed until the household had accumulated sufficient savings. Now it is said that some couples have a wedding ceremony before registering their marriage, waiting a few months for fear their union could end in a divorce, as is the case with one in three marriages in Korea. And yet some distinctive customs remain. Korean couples have a particular way to do romance, as evidenced in the television drama series that are watched all over Asia. Getting Married in Korea is still a fascinating topic for all people interested in learning more about Korea’s society and culture.

4 of 4 people found the following review helpful.
Learn about Korean society
By W Boudville
An at times funny read of the intersection of two cultures. One is the modern consumerist culture, that has taken firm hold in South Korea since the 1980s. The other is a traditional Confucian morality steeped in centuries of lore.
Kendall studies this through the ingenious choice of marriages. Here, the Confucian traditions often appear in the form of arranged marriages. Yet she shows how young couples persistently try to sidestep this format.
Along the way, a non-Korean reader is also rewarded by many insights into Korean society. Things that an outsider who does not speak the language would simply miss.

6 of 9 people found the following review helpful.
interesting case study in sociology, not Korean culture
By A Customer
this book is not for someone who would be interested into a systematic and quick introduction to Korean wedding customs.
The elements presented are of the case study type, showing the evolutions over time of a Korean family sampled for a PhD thesis. interesting for another scholarly work, it isn't so much for someone interested in understanding Korean marriage customs. Bits and pieces can be collected and summarised by oneself. This book is about "sociology", not "culture" per se.

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[T210.Ebook] Download Inside Out: A Memoir of Entering and Breaking Out of A Minneapolis Political Cult, by Alexandra Stein

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A gripping literary memoir of life inside an extremist political group.

• Sales Rank: #813327 in Books
• Brand: Unknown
• Published on: 2002-01-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .90" h x 6.00" w x 8.90" l, 1.36 pounds
• Binding: Paperback
• 320 pages

Features

• Used Book in Good Condition

Review
Invaluable . . . honest . . . intelligent. --Doris Lessing

About the Author
Alexandra Stein was born in Johannesburg, South Africa, and has also lived in England, France, and the United States. She writes creative non-fiction and is currently studying for a doctorate in sociology at the University of Minnesota. She lives in Minneapolis with her two children.

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6 of 6 people found the following review helpful.
A Rare Look at a Political Cult
By Gordon Neufeld
This superbly written book provides a look at a phenomenon not widely recognized; namely, that a cult can be created around a political ideology just as easily as around a religious belief system. In the case of the little-known organization to which Ms. Stein belonged, known simply as the "O", most group members did not even know who the leader was, as he communicated solely by written instructions to his followers. This demonstrates that cult dynamics can come into play even where the leader is not a charismatic figure in the usual sense of the word. Ms. Stein's gruelling ordeal, which began as an idealistic effort based on Marxist principles and ended in exhaustion and the discovery of a shocking crime, makes for a memorable read. Inside Out is a very useful addition to cult memoir literature from a talented writer.

2 of 2 people found the following review helpful.
Gripping and thoroughly frightening
By Bluebird
A haunting, splendidly written account of one person's plunge into a world of manipulation and brainwashing. Although the organization that Ms. Stein found herself entangled with is beyond the fringe of extreme, it leads one to realize how many so-called mainstream organizations employ some of the same tactics to subjugate their members. Her story illustrates what can happen to a person who desperately wants to belong -- at virtually any cost.

4 of 5 people found the following review helpful.
A riveting read
By Cilla Walford
This is a terrific book! Once started, you'll not be able to put down this heart-rending account of ten years lost to a left-wing political cult. This beautifully written story could have happened to anyone who had a political conscience and grew up in the '60's. Although it is painful to read in parts, it is ultimately redemptive as the author finally finds her true self and her own voice.

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[U817.Ebook] PDF Ebook A Veces se Gana - A Veces Aprende: Las grandes lecciones de la vida se aprenden de nuestras perdidas (Spanish Edition), by John C. Maxwell

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John Maxwell cree que las mayores lecciones que aprendemos en la vida son de nuestras pérdidas. Todo el mundo experimenta pérdida, pero no todos aprenden de la misma. En veces se gana - A veces se aprende, el Dr. Maxwell explora las lecciones más comunes que aprendemos cuando experimentamos la pérdida. A continuación, explica cómo convertir un revés en un paso adelante mediante el examen de los once rasgos que conforman el ADN de los que aprenden:
1. Humildad - El Espíritu de Aprendizaje
2. Realidad - La Fundación del Aprendizaje
3. Responsabilidad - el primer paso del aprendizaje
4. Mejora - El Enfoque de Aprendizaje
5. Esperanza - La motivación del aprendizaje
6. Enseñabilidad - El Camino del Aprendizaje
7. Adversidad - The Catalyst de Aprendizaje
8. Problemas - Las Oportunidades de Aprendizaje
9. Malas experiencias - La perspectiva para el Aprendizaje
10. Cambio - el precio del aprendizaje
11. Madurez - el valor del aprendizaje
El aprendizaje no es fácil en los tiempos muertos, se necesita disciplina para hacer las cosas bien cuando todo anda mal. Este libro proporciona una guía para hacer precisamente eso. Como John Maxwell a menudo señala - no experiencia es la mejor maestra, la experiencia es evaluada.

• Sales Rank: #805834 in Books
• Brand: Brand: Center Street
• Published on: 2013-10-08
• Released on: 2013-10-08
• Original language: Spanish
• Number of items: 1
• Dimensions: 8.00" h x .75" w x 5.25" l,
• Binding: Paperback
• 256 pages

Features

• Used Book in Good Condition

About the Author
John C. Maxwell is a #1 New York Times bestselling author, coach, and speaker who has sold more than 24 million books in fifty languages. Often called America's #1 leadership authority, Maxwell was Identified as the most popular leadership expert in the world by Inc. magazine in 2014. And he has been voted the top leadership professional six years in a row on LeadershipGurus.net. He is the founder of The John Maxwell Company, The John Maxwell Team, and EQUIP, a non-profit organization that has trained more than 5 million leaders in 180 countries. Each year Maxwell speaks to Fortune 500 companies, presidents of nations, and many of the world's top business leaders. He can be followed at Twitter.com/JohnCMaxwell. For more information about him visit JohnMaxwell.com.

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1 of 1 people found the following review helpful.
Sobresaliente y muy fácil de leer
By Kindle Customer
Es un libro estupendo! De muchas maneras, me hace recordar EL VALOR POSITIVO DEL FRACASO, ya que inspira a seguir adelante a pesar de los errores, aprendiendo de cada uno de ellos. Buena traducción. Creo que es un libro indispensable en la biblioteca de todo líder, ya sea en inglés o en español. Como de costumbre, salpicado por numerosas citas que el Dr. Maxwell ha acumulado a través de los años y que ejemplifica o ilustra el párrafo al cual va unida. No tiene una coma de pérdida!!!

0 of 0 people found the following review helpful.
Este libro te ayudara a salir de ese sentimiento de ...
By Kindle Customer
Este libro te ayudara a salir de ese sentimiento de culpa o sentimiento de derrota que muchas veces sentimos cuando las cosas no salen a nuestra manera, El dia que te des cuenta que los errores son inevitables y que podemos aprender de ellos en todo momento sabras que cuando piensas que pierdes es que has aprendido y eso te hara mas sabio.

0 of 0 people found the following review helpful.
Podemos aprender y mejorar nuestra conducta, nuestra vida… AVM
By Amazon Customer
Excelente libro para aprender que nuestros errores son solamente oportunidades de la cuales podemos aprender y mejorar nuestra conducta, nuestra vida… AVM

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[O946.Ebook] PDF Ebook World War II Infantry Tactics: Company and Battalion (Elite) (v. 2), by Stephen Bull

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Osprey's study of German, British and American company and battalion tactics during World War II (1939-1945). The second World War is often seen as a confrontation of technology – tanks and aircraft, artillery and engineering. But at the heart of the battlefield was the struggle between infantrymen, and the technology was there to enable them to capture ground or hold it. This second of two books on the organization and tactics of the German, US and British infantry in Europe focuses on national differences in the development of company and battalion tactics – including those of motorized units – and the confrontation and co-operation between infantry and tanks. Contemporary photos and diagrams and vivid colour plates illustrate what tactical theories actually meant on the ground at human scale.

• Sales Rank: #628797 in Books
• Brand: Elite - 20th Century - World War II - Commanders,
• Model: 2513010
• Published on: 2005-02-05
• Released on: 2005-02-05
• Original language: English
• Number of items: 1
• Dimensions: 9.68" h x .11" w x 7.28" l, .48 pounds
• Binding: Paperback
• 64 pages

From the Publisher
An unrivalled illustrated reference source on fighting men and commanders, past and present. Each volume is packed with full colour artwork, making military history uniquely accessible to enthusiasts of all ages.

About the Author
Dr Stephen Bull is the Curator of the Museum of Lancashire in Preston, which incorporates the collections of several local regiments. Born in 1960, he graduated from the University of Wales with a BA (Hons) in history in 1981 and obtained his doctorate from University College, Swansea. For several years he worked at the National Army Museum. He has written numerous articles for specialist journals, including a number on the weapons and tactics of World War I.

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0 of 0 people found the following review helpful.
If only the books were bigger: ) Picked this ...
By Casey Wagner
If only the books were bigger :)
Picked this up while doing research for a game. The game never came to be but the books were enjoyable :)

26 of 29 people found the following review helpful.
A ten-year battalion commander's course in 64 pages
By Alan D. Cranford
My private library has a number of military manuals and books on military science. "World War II Infantry Tactics: Company and Battalion" is a condensed, image-rich guide for the military historian, World War Two gamer, and the scale modeller. Dr. Bull examines both the theory and practice of British, German, and American armies in Western Europe between 1939 and 1945. Don't look in here for the latest and greatest cutting-edge infantry tactics--Stephen Bull wrote about what happened in the past. That's history, folks! A battallion commander would need about a decade of military education and experience to apply the lessons in this thin little book.

Line and block charts dipict the organization of line infantry battalions--one from the three countries. Germany seemed to have a battalion for every purpose, so the charts are a bit generic--but give a clear picture of the parts if a battalion. Dr. Bull shows how the different parts worked together through text and pictures. The color plates on pages 33-40 are easy to understand. Showing how the British and Germans conducted urban warfare is valuable to understanding why American infantry doctrine until Iraq was to stay out of cities--and blast the cities into rubble. City fighting can be more costly than taking down a fortified enemy postion. Dr. Bull didn't mention non-combatant civilians or guerrilla activity--but neither did US Army doctrine of the period, at least not for the line infantry battalion commander. Bull did cover machine guns, mortars, anti-tank techniques, land mines and booby traps, mototized and "armored" infantry, and tank-infantry cooperation in detail. World War Two combat was combined arms--the infantry was never alone (though the World War Two infantry veterans I spoke to swear they were the Army's step children).

"World War II Infantry Tactics" spotlighted that German, British, and American infantry tactics were surprisingly similar. Surprising, perhaps, to someone who didn't consider that humans were conducting the same sort of activities over the same terrain with similar hardware--but there were significant differences between the three nations. At the basic squad eqipment level, the Germans had a belt fed light machine gun and severl 5-shot bolt action rifles and one or two submachine guns, the British BREN gun fed from a "30-shot" box mangazine and was teamed up with several 10-shot bolt action rifles and a submachine gun or two, and the Americans had one or two Browning Automatic Rifles (20-shot magazine) and bunches of the 8-shot semiautomatic Garand M1 rifle (and occassionally .45 caliber submachine guns and semiautomatic M1 carbines). The basic "fire volume" was about the same, even though the American Browning Automatic Rifle didn't have a quick-change barrel like the other two squad automatic weapons. America got into the war about the time that the anti-tank rifle was being retired for being ineffective against tanks, and American infantry generally had the workable 2.36-inch rocket launcher (AKA "Bazooka") and the M9 and M9A1 anti-tank rifle grenade when they began seeing large-scale combat, so they didn't have to have the elaborate anti-tank teams that the British and Germans were forced to cobble together with improvised anti-tank weapons. Fighting a tank while armed with just a crowbar--so that your buddy with a can of "petrol" can heave it atop the engine deck of an enemy tank so that a third man can puncture the can with rifle fire and a fourth can ignite the flammable fuel with a hand grenade or perhaps a bundle of smoldering rags is different from waiting until the enemy tank passes by your Bazooka position until you can get a flank or rear shot! The early-war infantry 37mm anti-tank guns were not very effective on late-war light tanks--and just about everybody had medium tanks in service during 1942.

"World War II Infantry Tactics: Company And Battalion" is concise and compact. If I were briefing "battalion commanders" in a WWII war game, I'd want them to have read this book first. I learned a few things that I hadn't known before, and I have dozens of other books on this very subject in my collection!

3 of 3 people found the following review helpful.
Solid introduction to the role of companies and battalions in World War II
By Steven Peterson
Companies and battalions were important organizational units among British, German, and American armies in World War II. The book begins with a somewhat vague description of the battalion. But organizational charts on pages 6 (British) and 11 (American) and 12 (German) begin to exemplify the battalion. Key building blocks are companies, smaller units.

The book describes tactical operation of battalions. The work also examines other aspects of the units considered here: machine gun support, mortars, mines, anti-tank tactics and their evolution, and motorized infantry (including the role of armor).

This Osprey volume in the Elite series does a nice job or providing a sense of tactics at the company/battalion level. Nice illustrations and photographs provide useful context.

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The short film is a unique narrative art form that, while lending itself to experimentation, requires tremendous discipline in following traditional filmic considerations. This book takes the student and novice screenwriter through the storytelling process- from conception, to visualization, to dramatization, to characterization and dialogue- and teaches them how to create a dramatic narrative that is at once short (approximately half an hour in length) and complete. Exercises, new examples of short screenplays, and an examination of various genres round out the discussion.

NEW TO THE THIRD EDITION: new screenplays, a chapter on rewriting your script, and a chapter on the future of short films

• Published on: 2015-10-06
• Original language: English
• Dimensions: 9.00" h x .88" w x 6.00" l, .0 pounds
• Binding: Hardcover
• 370 pages

Review
"...for the more technically minded this weighty tome is invaluable." - Black Filmmaker

"It is a tough call to sell the script of a short film to a film production company, and your script needs to be outstanding both in concept and execution. If you are a scriptwriter who aims to tackle this tough brief, then here is the book to help you." - Writing Magazine

About the Author
Ken Dancyger is the author of numerous books on screenwriting, editing, and production. He conducts screenwriting forums and workshops in North America, Europe, and Asia. A past chair of Undergraduate studies in the Department of Film and Television at NYU, he is currently Professor of Film and Television at the Tisch School of the Arts at New York University.

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